LE STAMPE® Browse the archive →

The archive  /  Impressionism  /  Paris Street; Rainy Day

Paris Street; Rainy Day

Gustave Caillebotte · 1848–1894

Year
1877
Medium
Oil on canvas
Size
212.2 × 276.2 cm
Collection
Art Institute of Chicago

Trusted by buyers on Etsy

Instant download$12
Get the files on Etsy →

3 variations + a matched story print, every standard frame ratio. 300 DPI · sRGB · personal-use license.

Fine-art printMade to order
Order a print →

Museum-quality giclée on Hahnemühle German Etching — heavyweight 310gsm, acid-free, velvety matte. Made to order & shipped.

Sizes in the download

Ready-to-print files at every size below — each drops straight into a standard frame at 300 DPI, nothing cropped:

20×16″ 5:420×20″ 1:124×18″ 4:336×24″ 3:2A2 A‑series

Each of these also prints big-wall at 150 DPI — up to about 36″ on the short side (so the 36×24″ becomes 54×36″), for a step-back view. Or print the borderless master, the full-resolution scan, sharp to about A1.

The work

A rainy day with no rain in it.

Caillebotte never painted a single raindrop. He conveys the wet weather indirectly, through the subtle reflections on the cobblestones and the umbrellas, rather than by depicting falling rain.

Look closer

This is a real corner of Paris.

The scene depicts a real intersection near the artist's home, where the rue de Turin and the rue de Moscou meet in the Haussmann-era district near the Gare Saint-Lazare. When it debuted as catalogue number 1 at the third Impressionist exhibition in April 1877, its title was the deliberately generic 'Rue de Paris; temps de pluie,' downplaying the identifiable spot.

Why it matters

Nothing here was left to chance.

Recent X-ray examination revealed extensive last-minute changes: the lamppost was elongated and widened, the cobblestones were repainted multiple times, and the large rear-facing man at the right and the carriage at the far left were late additions. The composition's right edge was relocated at least twice before Caillebotte settled the picture.

[This painting] gives an idea of what photography will become.— Paul Sébillot, art critic, reviewing the third Impressionist exhibition, 1877

The file & the facts

Title
Paris Street; Rainy Day
Artist
Gustave Caillebotte
Year
1877
Medium
Oil on canvas
Original
212.2 × 276.2 cm
Collection
Art Institute of Chicago
Rights
Open access · personal use
File
300 DPI · sRGB · JPEG

Sources